Netflix has a long history of running and promoting programming featuring sexual situations and innuendo with underage children, transgenderism of children, and sexual themes with children. A new Children’s Animated Series on Netflix called “Big Mouth” promotes multiple types of sexual themes with children. The film, by Jewish creators Andrew Goldberg and Nick Kroll, advocates of the program claim it is not targeting children; or that it is somehow meant for adults.
The show is about prepubescent children who are coming of age, and eventually hit puberty. There are ten episodes in the series, many of which have perverse titles such as, “I survived Jessi’s Bat Mitzvah“,”Ejaculation”,”Everybody Bleeds”,”Am I Gay”,”Requiem For A Wet Dream”,”Girls Are Horny Too”,”Sleepover: A Harrowing Ordeal of Emotional Brutality”,”The Pornscape”; just to name a few. In the first episode there’s a degenerate scene showing a 12 year old boy full-frontal nude.
Netflix premiered yet another program, this one live-action, featuring transgender children in drag called “AJ and the Queen.” The show premiered 10 January 2020 for one season. Netflix announced in March 2020 it would not produce a second season of the program. AJ and the Queen about a 10-year-old child who accompanies Robert (RuPaul, who promotes exposing children to ‘drag queens’), a gay male drag performer who goes by “Ruby Red,” as he travels across the country performing in drag shows at mostly gay bars.
The child, “AJ” (Izzy G.), is the daughter of a drug-addicted prostitute. She wants to be a boy “because people leave boys alone.” She hides her long hair under a boyish hat and does her best to look and act like a 10-year-old boy instead of a girl. The program is one long exposure of this child to sexualized adult themes in which she does not belong, all under the guise of the drag queen and the child “bonding” cross-country.
In episode 2, “Pittsburgh,” AJ criticizes “this rainbow-covered shitshow” as they arrive at a gay bar in Pennsylvania. When Rupaul’s character and the child (AJ) go backstage (why would a child be backstage at a gay bar in the first place, the fact that is acceptable on ANY level is disgusting – children do not belong in any bar much less a gay bar), the club’s drag queens precede to engage in sexual conversation. The scene concludes with one of them calling little AJ a “top,” a term in gay male culture referring to the man who sexually penetrates the “bottom.” Why is a 10-year old child referred to in a gay slang for a sexual position? The program delegitimizes and condemns heterosexuality, traditional families and fatherhood, locking children into sexual “identities.”
The most horrifying and revealing aspect of this show is the casting call sheet. The call sheet seeks a “10 year old child.
“Dressed in her girl scout uniform, Kathy Lee is Bernadette’s daughter. Trapped, a free spirit, doesn’t see the value of the Girl Scouts. When her mom tells her to set up the cookies, Kathy Lee states that she’s a feminist. ACTOR MUST BE COMFORTABLE WALKING AROUND IN HER UNDERWEAR. Please submit all ethnicities. CO-STAR.”
Why would a child need to be “comfortable walking around in her underwear” during a casting call? Here is the information on Rupaul’s “casting agency” (Groomers):
Casting: Telsey + Company/Tiffany Little Canfield
New York City
1501 Broadway
Suite 510
New York, NY 10036
P: 212-868-1260
Los Angeles
5455 Wilshire Boulevard
Suite 1000
Los Angeles, CA 90036
P: 310-788-0060
Casting Associate: Ryan Bernard Tymensky
Casting Assistant: Sam Marzec
The program and many others like it on Netflix weaponize children in a Final Solution of Globalists (Leftist, Marxist-Communists, feminists) in the destruction of the family, and straight men. Transgenderism is a pathogenic meme. The sexualization of children and Transgenderism is irrefutably a final solution for Cultural Marxism. It must be treated as a pathogen and removed from Western Culture and Civilization.
