#NightOwl! Each week live from Phoenix, Arizona the Night Owl’s Sci-Fi Cinema hosts FREE vintage U.S., and classic foreign Sci-Fi films!
Tired of remakes, reboots, re-imaginings, no originality? KEEP IT CLASSIC ON SCI-FI SATURDAY & SUNDAY! #keepitclassic Straight from the his desert lair, the Night Owl™ brings you Intergalactic invasions, space operas in a galaxies far far way, quantum twists, alien sex, time travel, forbidden planets, attacks & adventures in our solar system, alien monsters, vampires, mad scientists, werewolves, – all vintage and classic science fiction and horror for your download, bookmark, and FREE entertainment!
SCI-FI SATURDAY! CLASSIC FEATURE ::: Tonight’s film ::: THE HANDS OF ORLAC (1924)
Orlac is a world famous pianist. One day he is badly hurt in a big train wreck. He is in danger of losing both his hands so his wife begs the doctors to save them. They eventually manage to transplant his hands with those of another deceased person. After his recovery Orlac discovers that there is something seriously wrong with his new pair of hands — it is as if they had a will of their own. But Orlac doesn’t know that they actually belonged to a dangerous murderer.
Like his more famous The Cabinet of Dr. Caligari, Robert Wiene’s The Hands of Orlac is ponderous but indelible. The film is full of castration imagery, Freudian intimations (including a patriarchal ogre in a twisted castle), and assorted perversities (like the wife’s erotic yearning to be touched), yet next to the relentlessly distorted subjectivity of Caligari, Wiene’s handling here seems almost minimalist, keeping the camera angles mostly balanced as the horrors materialize through stark atmosphere and Veidt’s extraordinary physical expressiveness. Wiene paces the film like a funeral, ending it with one of the most bizarre conclusions in German expressionism.